Eva Pizarro

Upon leaving her village near Cusco at age 17 in search of a better life, Evangelina (Eva) Pizarro found a job in a jewelry factory in Lima and worked nearly 80 hours a week, earning only $115 a month. She was raising two children alone and was locked in the factory each day until the managers decided it was okay for the workers to go home. Eva had no choice when she could leave to care for her children or when she would get paid – which was often not for six months at a time.

After seven exhausting years in the factory, Eva decided that she deserved better. She convinced several other workers to break off and form their own business. Their first attempt failed and most of them ended up back in factory jobs. But shortly thereafter, Eva heard about a Fair Trade project in Peru called Bridge of Hope (BOH) and went to see if she could be involved. Eva and her colleagues, Sylvia Vargas, Sonia Anahue, and Ernesto Alca, formed Munay Rumi. After a year spent improving the samples they’d originally showed BOH, they produced their first jewelry items for export.

Munay Rumi has now been working together for four years. Because of their factory jobs, they had a good technical foundation but lacked design expertise. Much of what they produced was commission work or similar to the mass-produced jewelry seen in the local tourist markets. PJT recognized Munay Rumi’s commitment and potential, so PJT sought out jewelry designer Peggy Eng (now Sales Coordinator for PJT) to visit Peru to work with the group. Peggy spent six weeks over two separate trips working with the group to facilitate their development in design, build a cohesive group of designs into a collection, and understand the importance of developing a signature style.

Munay Rumi’s accomplishments and pieces are especially impressive considering that their workshop space is small and minimally equipped. They maximize the use of the tools they do have and find creative solutions for the ones they don’t. Unlike in the U.S., they cannot order materials and supplies for doorstep delivery. They must travel by bus into the city to purchase goods —this can easily turn into a long ordeal depending on the traffic. They do not have ready-made precious metal. To have silver sheet and wire to work with, Munay Rumi must first take pure silver “grains”, melt and alloy it, pour an ingot, and then roll it out into sheet or draw it down into wire.

Along with fellow artisan Ayde Riveros, Eva visited the U.S. for three weeks in the spring of 2009.

“I learned so many things that have proven to be beneficial not just to me and Munay Rumi but to all of the artisans who are a part of Bridge of Hope,” said Eva of the experience. “It is so valuable to know that I’m no longer fighting for a better life on my own. I have the support of Munay Rumi, Bridge of Hope and the other artisan groups who participate, PJT, and so many people in the U.S. who support artisans through Fair Trade.”

While Munay Rumi’s sales increased an astonishing 48 times since 2006, each member still had to hold a secondary job because orders were not steady enough for income to sustain their families. It was wonderful news to learn this year that members were able to leave their other jobs and focus solely on their passion for creating unique, handmade jewelry.

As your friend or family member opens up the piece of jewelry you’ve selected for them from Munay Rumi, we hope you can share Eva’s story with them. There is a story like hers behind each Fair Trade item, and these stories bind us all together.

Shop Munay Rumi's products >>
Read about other producers >>